Stan Getz

[montage]

 [ You are not allowed to view this attachment ]


Stanley "Stan" Getz (born Stanley Gayetski, February 2, 1927 – June 6, 1991) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, his prime influence being the wispy, mellow timbre of his idol, Lester Young.

Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists".

Getz went on to perform in bebop and cool jazz groups, but is perhaps best known for popularizing bossa nova with the worldwide hit single "The Girl from Ipanema" (1964) performed with Astrud Gilberto, and for his work done under the influence of João Gilberto and Antônio Carlos Jobim.

[montage]

https://www.youtube.com/watch?v=UJkxFhFRFDA


"Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinicius de Moraes. English lyrics were written later by Norman Gimbel.

The first commercial recording was in 1962, by Pery Ribeiro. The 1964 single featuring Astrud Gilberto and Stan Getz became an international hit. This had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released March 1964) which had also included the Portuguese lyrics sung by João Gilberto.

In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world.

Numerous recordings have been used in films, sometimes as an elevator music cliché. It is believed to be the second most recorded pop song in history, after "Yesterday" by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001.  In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2009, the song was voted by the Brazilian edition of Rolling Stone as the 27th greatest Brazilian song.