Danny & the Juniors

Started by montage, April 20, 2017, 01:45:41 AM

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Danny & the Juniors are a doo-wop and rock and roll vocal group from Philadelphia, Pennsylvania originally consisting of Danny Rapp, Dave White, Frank Maffei and Joe Terranova. Formed in 1955, they are most widely recognized for their 1958 hit single "At the Hop" (recorded the previous year in 1957) and "Rock 'n' Roll Is Here To Stay".

Danny Rapp (lead), Frank Maffei (2nd tenor), Joe Terranova (baritone), and Dave White Tricker (1st tenor) (aka Dave White) met at John Bartram High School and started singing together in the mid 1950s. Known as the Juvenaires at the time, they sang at school parties and other local events. Local record producer John Madara took notice of them and introduced them to local DJ's Larry Brown and Artie Singer, who had a record label known as Singular Records.

In 1957, they recorded a Dave White penned song "Do the Bop", and Singer took it to a fellow DJ named Dick Clark. Clark liked it and suggested changing their name to the Juniors and re-naming their song.  They rerecorded it as "At the Hop" and it became a local hit in June 1957. In December 1957, they received a call from Dick Clark to be a last minute substitution for a no-show band on American Bandstand, and they performed it for a national audience.

The song became a nationwide hit after ABC Paramount bought the master recording and issued it in January 1958. They soon appeared on The Pat Boone Chevy Showroom, and other national TV shows. Soon after, they recorded "Rock 'n' Roll Is Here To Stay" and "Dottie", both of which charted.

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montage

#1
https://www.youtube.com/watch?v=k6EeObPCMR8

"At the Hop" is a rock and roll/doo-wop song written by Artie Singer, John Medora, and David White and originally released by Danny & the Juniors.  The song was released in the fall of 1957, and reached number one on the US charts on January 6, 1958, thus becoming one of the top-selling singles of 1958.  "At the Hop" also hit number one on the R&B Best Sellers list.[4] Somewhat more surprisingly, the record reached #3 on the Music Vendor country charts.

The song returned to prominence after it was performed by rock and roll revival act Sha Na Na at the 1969 Woodstock Festival and featured in the 1973 coming-of-age teen drama American Graffiti. Musically, it's notable for combining several of the most popular formulas in 1950s rock'n'roll, the twelve-bar blues, boogie-woogie piano and the 50s progression.


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musicman100


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#3
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