Rubettes

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The Rubettes were an English pop band assembled of studio session musicians  in 1973 by the songwriting team of Wayne Bickerton, then the head of A&R at Polydor Records, and his co-songwriter, Tony Waddington, after their doo-wop and 1950s American pop-influenced songs had been rejected by a number of existing acts.

The band duly emerged at the tail end of the glam rock movement, wearing trademark white suits and cloth caps on stage. Their first release, "Sugar Baby Love" was an instant hit remaining at number one in the United Kingdom for four weeks in May 1974, while reaching number 37 on the U.S. chart that August,  and remains their best-known record. Subsequent releases were to be less successful, but the band continued to tour well into the 2000s with two lineups in existence.

The Rubettes' first and biggest hit was "Sugar Baby Love" (1974) which was a number one in the United Kingdom, going on to sell around 500,000 copies in the UK and three million copies globally.  With three more songs, "Sugar Baby Love" was recorded for Polydor in October 1973 at Landsdown Studios in Holland Park, London, by a group of session musicians featuring the distinctive falsetto lead vocal of Paul Da Vinci (real name: Paul Prewer). Da Vinci did not, however, join the others to become a member of the band put together by John Richardson, and instead pursued solo work. "Sugar Baby Love" was their only UK No. 1 and sole U.S. Top 40 entry.[8] In November 1974 NME music magazine reported that The Rubettes, The Glitter Band and Mud were among the UK bands who had roles in a new film titled Never Too Young To Rock.

The Rubettes went on to have a number of other hits across Europe during the mid-1970s, such as "Tonight", "Juke Box Jive" and "I Can Do It" sung by Alan Williams, mostly written by the Bickerton–Waddington songwriting team. The Rubettes' success encouraged Bickerton and Waddington to set up State Records, so that ten months after the release of "Sugar Baby Love", the fourth Rubettes single "I Can Do It" was on State (catalogue reference STAT 1).

The band were to abandon glammy nostalgia to enter more serious territory.[2] "Under One Roof" (1976) was a portrayal of a gay man disowned and later murdered by his father; along with Rod Stewart's "The Killing of Georgie" (1976), it was one of the few songs that tackled the topic of homophobia. Their most successful self-composed hit was the country rock styled ballad "Baby I Know", which reached number 10 in the UK and Germany in 1977. The band became a quintet in early 1975 with the departure of Arnesen, and later became a quartet in mid-1976 when Hurd departed the band; to this day the original band (and Alan Williams' successor) has never expanded its line-up beyond four members. Whilst the band continued as a four-piece; Hurd joined Suzi Quatro's band, touring and playing on a number of worldwide hits, which included the Top 20 success "She's in Love with You" in 1979, before re-joining the Rubettes in 1982).

In another attempt to get away from the 'doo-wop' glam image, Thorpe insisted that the trademark vocal harmonies were left off of his composition, "You're the Reason Why". Gerry Shury and the band out-voted him. The version with no vocal backing has been available as a bootleg recording in certain parts of Europe. After Thorpe's departure in 1979, the group's success began to dwindle.

Bass player Mick Clarke recorded a solo album Games in 1979 for the cult German label Blubber Lips.

In 1979, Thorpe departed the band in uncertain circumstances; whilst the band has always maintained that he left due to ill health,  Thorpe himself has stated that he was fired over musical differences. Alan Williams maintains there is always two sides to every story. Williams then insisted that all of Thorpe's lead vocals were taken off the upcoming album Still Unwinding. ( Not true, Tony can be heard on lead vocals on the last 'Still Unwinding' track 'Does it gotta be Rock n 'Roll'</ref> www.rubettes.com His guitar parts and backing vocals remained. The band replaced Thorpe with Bob Benham; but he departed shortly thereafter and the band dissolved in 1980.

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#1
https://www.youtube.com/watch?v=1LXSPr3m7OM

"Sugar Baby Love", recorded in autumn 1973  and released in January 1974, is a bubblegum pop song, and the debut single of the Rubettes. Written by Wayne Bickerton and Tony Waddington and produced by Bickerton, engineered by John Mackswith at Lansdowne Recording Studios, and with lead vocals by Paul Da Vinci, "Sugar Baby Love" was the band's one and only number one single in the UK Singles Chart, spending four weeks at the top of the chart in May 1974.

Bickerton and Waddington had been writing songs together since they were both members of the Pete Best Four in Liverpool in the early 1960s. Their biggest success had been writing "Nothing but a Heartache", a US hit for The Flirtations in 1968. In the early 1970s, they came up with the idea for a rock 'n' roll musical.

They co-wrote and produced a demonstration recording of "Sugar Baby Love", originally intending to submit it for the Eurovision Song Contest but instead offering it to Showaddywaddy and Carl Wayne, who both turned it down.  They then offered it to the demo musicians, provided that they would become an actual group.

With the exception of the recording's lead singer, Paul Da Vinci, who had signed a solo recording contract with another company, the other musicians agreed and became The Rubettes.  "Sugar Baby Love" became a UK No. 1 hit in 1974, also reaching No. 37 and No. 30 on the US Billboard Hot 100  and Cashbox  charts, respectively. It also reached No. 1 in Germany, Switzerland, the Netherlands, Austria, Belgium and Australia,  and No. 2 in South Africa.

Bickerton said:

"We had Paul DaVinci singing in that incredibly high falsetto voice and then a vocal group sings 'Bop-shu-waddy' over and over for about 3 minutes. Gerry Shury, who did the string arrangements, said, 'This is not going to work: you can't have a vocal group singing 'Bop-shu-waddy' non stop.' A lot of people said the same thing to us and the more determined I became to release it. The record was dormant for 6 or 7 weeks and then we got a break on Top of the Pops and it took off like a rocket and sold 6 million copies worldwide. Gerry said to me, 'I'm keeping my mouth shut and will concentrate on conducting the strings.'"
Yamaha DGX-670 connected to a Yamaha MW12 Mixer connected to a pair of Yamaha MSP10's + Yamaha SW10 Subwoofer using Songbook+.
MacBook Pro  32 GB  1 Terabyte SSD

admin

#2
:s_cool:
Yamaha DGX-670 connected to a Yamaha MW12 Mixer connected to a pair of Yamaha MSP10's + Yamaha SW10 Subwoofer using Songbook+.
MacBook Pro  32 GB  1 Terabyte SSD