OMD

Started by kastelfan, November 04, 2008, 07:22:07 AM

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kastelfan

OMD
Hi!

Attached is song style OMD - Maid of Orleans.

http://www.youtube.com/watch?v=ig2Q4Ub4TnM

Intro part ( INTRO3) is a bit shorter as normaly , the normal Intro in song last 1 min,22 sec, I think itÃ,´s tooo....long for song style. Just my thought!

Have a nice day

Bogdan
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montage

#1
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Songs Complete sets in this topic from OMD01 = Maid Of Orleans
02 = Sailing On The Seven Seas
03 = Pandora's Box
04 = Enola Gay
05 = Electricity


Orchestral Manoeuvres in the Dark (OMD) are an English electronic music band formed in Wirral, Merseyside in 1978. Spawned by earlier group The Id, the outfit was founded by Andy McCluskey (vocals, bass guitar) and Paul Humphreys (keyboards, vocals); amid rotating line-ups, Martin Cooper (various instruments) and Malcolm Holmes (drums) are the longest-serving additional members.

OMD released their influential debut single, "Electricity", in 1979, and gained popularity throughout Europe with the 1980 anti-war song "Enola Gay".

The band achieved broader recognition via their seminal album Architecture & Morality (1981) and its three singles, all of which were international hits. Steadily resistant to celebrity status, the group earned acclaim for their adventurous recordings, which combined sonic experimentation and atypical subject matter with musical hooks.

Although retrospectively described as a challenging masterpiece, the avant-garde Dazzle Ships (1983) eroded European support: the band embraced a more straightforward pop sound on Junk Culture (1984), while continuing to experiment via newly acquired digital samplers. This change in direction led to greater success in the United States, and yielded the 1986 hit, "If You Leave". A year after the release of The Best of OMD (1988), creative differences rendered McCluskey the only remaining member of the group as Humphreys formed spin-off band The Listening Pool.

OMD would return with a new line-up and explore the dance-pop genre: Sugar Tax (1991) and its initial singles were sizeable hits in Europe. By the mid 1990s, however, electronic music had been supplanted by alternative rock, and both OMD and The Listening Pool disbanded in 1996. McCluskey went on to found, and write multiple hits for girl group Atomic Kitten, while Humphreys performed as half of the duo Onetwo.

In 2006, the outfit reformed with Humphreys back in the fold, and began to work on material more akin to their early output. The band re-established themselves as a chart act in Europe, while enjoying a growing international fanbase and a legacy as innovators within popular music.

An influence on many artists in diverse genres, their songs have been covered, remixed and sampled by numerous chart musicians, and the group are the subject of two tribute albums. The Oxford Times described OMD as being "among the most important bands Britain has ever produced




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montage

#2
https://www.youtube.com/watch?v=9CGiL0Mp6Ns

"Joan of Arc (Maid of Orleans)" is a song by British band Orchestral Manoeuvres in the Dark (OMD) and was the third single released from their third studio album Architecture & Morality. The track has been described by OMD frontman Andy McCluskey as the group's "Mull of Kintyre".

To prevent confusion with their previous single "Joan of Arc", the song was retitled "Maid of Orleans (The Waltz Joan of Arc)" for its single release. Both songs are about the French heroine Joan of Arc and both reached the Top 5 of the UK Singles Chart—although this single was more successful internationally, topping the charts in several countries including Germany, where it was the biggest-selling single of 1982.  It also reached number 5 in Ireland and number 7 in New Zealand. The single was the last release on the Dindisc label.

Ned Raggett in AllMusic has described the song as "epic", concluding: "With another bravura McCluskey lead and a mock-bagpipe lead that's easily more entrancing than the real thing, it's a wrenching ballad like no other before it and little since."  In 1989, Radio Veronica listeners voted "Maid of Orleans" the 60th greatest song of all time.  In 1991, MTV Europe named the single's accompanying video as the 37th best ever made.

"Maid of Orleans" has been recorded by various artists including the Royal Philharmonic Orchestra, hip hop group 3rd Bass and DJ Quicksilver. It was used during the climax and closing credits to the final episode of the second series of BBC television program Ashes to Ashes.
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montage

#3
https://www.youtube.com/watch?v=Y98RgdW6-qM

Sailing on the Seven Seas" is a 1991 single by Orchestral Manoeuvres in the Dark (OMD) released from their album Sugar Tax. Along with 1981's, "Souvenir", it is the band's highest-charting UK hit to date, peaking at #3. It also charted at #5 in Ireland and #9 in Germany. The single marked a commercial renaissance for the band in their native UK, becoming their first Top 10 hit since 1984's "Locomotion".
The song pays homage to two rock groups: firstly to The Velvet Underground, with the song "Sister Ray" being directly referenced (OMD had previously covered "I'm Waiting for the Man" as a B-side to 1980 single "Messages"); and secondly to The Who, with the line "people try to drag us down" being near-identical in melody and lyrical content to the opening line of "My Generation".[1]
Critic Dave Thompson in AllMusic lauded the song as "a glorious musical mélange, an inspired melding of synth pop soar, 2-Tone yore, and glam rock roar, the anthemic chorus to the fore with a fist-in-the-air punch that shouts out for more."[2]
MTV Europe ranked "Sailing on the Seven Seas" as the 21st greatest song of 1991.[3]
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montage

#4
https://www.youtube.com/watch?v=XuIgFZMEAuo

"Pandora's Box", subtitled "It's a Long, Long Way" for the US release, is a song by Orchestral Manoeuvres in the Dark, released as the second single from their 1991 album Sugar Tax. It was inspired by silent film actress Louise Brooks and is named after the 1929 film Pandora's Box in which she starred. The phrase "Pandora's box" does not appear in the song.
The single was a Top 10 hit in the UK and throughout Europe. Three remixes were made for this release, remixed by Danny Griffiths, Carl Segal, and Steve Anderson respectively. Anderson's shorter remix is the main single version. Additional remixes and edits appear on promotional and limited editions.
MTV Europe ranked "Pandora's Box" as the 55th greatest song of 1991.[1]
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montage

#5
https://www.youtube.com/watch?v=TYpXcakyrYk


"Enola Gay" is an anti-war song by the British synthpop group Orchestral Manoeuvres in the Dark (OMD), and the only single from the band's 1980 album, Organisation. Along with 1986's "If You Leave",  it has been described as the band's signature song.

Written by frontman Andy McCluskey, it addresses the atomic bombing of Hiroshima on 6 August 1945, during the final stages of World War II, and directly mentions three components of the attack: the Boeing B-29 Superfortress Enola Gay, which dropped the nuclear weapon Little Boy on Hiroshima at "8.15".

The single was an international success, selling more than 5 million copies  and topping the charts in Italy and in Spain.  It was a sleeper hit in OMD's native UK: the track entered the UK Singles Chart at number 35,  but climbed 27 places over the next 3 weeks to reach a peak of number 8,  thus becoming the group's first Top 10 hit in their home country.
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Int - OMD - ENOLA GAY
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